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Egged on by that fight, the protesters (some of whom carried placards that read “We’re Your Children! Don’t Destroy Us”) trashed a city bus and threw bottles and rocks at storefronts.
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According to reports, a fight broke out for reasons having nothing to do with the curfew a car carrying a group of Marines was bumped by another vehicle. On the night of November 12th, a local radio station announced there would be a protest at Pandora’s Box. An increasing number of clubgoers was descending on the Strip, irritating area residents and upscale boutiques, and the LAPD instigated a 10 p.m. The song is going, ‘What the hell is this?’ You can apply the song to any situation in any decade.”īy 1966, the situation in Los Angeles was tense. The main hook, ‘Everybody look what’s going down’ – you can apply that, to say, the current election. “The way it’s written, it’s so open to interpretation,” says Heart’s Ann Wilson, who released a cover last year on her first EP with side project the Ann Wilson Thing. In 2014, it came in at number three on Rolling Stone‘s readers poll of the best protest songs.
#WHAT IS THIS SONG TV#
(Robert Plant also cut a version with his pre-Zep band, Band of Joy.) Public Enemy even sampled it on 1996’s “He Got Game.”Īccording to BMI, the song’s publishing house, “For What It’s Worth” been played 8 million times on TV and radio since its release. The Staple Singers were among the first to cover it, in 1967, but since then, it’s been recorded by a mind-bendingly diverse number of acts: Ozzy Osbourne turned it into a grim stomper, Lucinda Williams into a ghostly ballad, Kid Rock into a classic-rock homage, Rush into a swirling soundscape, Led Zeppelin (in live bootlegs) into languid blues. “For What It’s Worth” has transcended its origin story to become one of pop’s most-covered protest songs – a sort of “We Shall Overcome” of its time, its references to police, guns and paranoia remaining continually relevant.